As the name implies, Impact Photography strives to provide powerful and effective images to serve as visual tools, specifically targeted to the needs and desires of our clients. Our technical abilities are well known, whether working in the traditional or digital environment. Impact's new and long standing customers are encouraged to make use of our capabilities and experience.
Through the years, our most exciting and powerful images have been formed through collaborating with our clients to produce a visual message which, neither words, nor stock images, can say. I feel very fortunate to have deep roots in the disciplines of traditional photography with all of the unforgiving aspects of large, medium and small film cameras, "get it right the first time" lighting, then crossing your fingers through the darkroom process.
Through the years, our most exciting and powerful images have been formed through collaborating with our clients to produce a visual message which, neither words, nor stock images, can say. I feel very fortunate to have deep roots in the disciplines of traditional photography with all of the unforgiving aspects of large, medium and small film cameras, "get it right the first time" lighting, then crossing your fingers through the darkroom process.
Services
The first and most important step in Fine-Art reproduction is by a quality digital capture with our cameras or scanners. For those who provide a quality film original we have the amazing Hasselblad/Imacon "virtual-drum" scanners. We are committed to being the best possible provider of this critical and exacting first step.
The traditional "darkroom lab" and film processing services which we proudly offered, have ended. Now we are catering more to the digital camera user. However, for those with an archive of film images, we are actually getting better results (by far) when we convert-by scanning film into digital. The entire process has enabled much more control over the image.
Dan Silvestri is a self taught photographer who developed an interest in photography during his high school years. In 1969 he noticed a commercial photo studio, walked in and asked if they needed any help. On the basis of a small black and white portfolio he accidentally began a career. He attended Eastern Kentucky University and the University of Kentucky but never graduated due to distraction by photographic opportunities.
